Saturday, December 29, 2007

Santa vs. St. Nicholas

From the New York Times

St. Nick in the Big City

Published: December 25, 2007

ST. NICHOLAS was a super-saint with an immense cult for most of the Christian past. There may be more icons surviving for Nicholas alone than for all the other saints of Christendom put together. So what happened to him? Where’s the fourth-century Anatolian bishop who presided over gift-giving to poor children? And how did we get the new icon of mass consumerism in his place?

Well, it’s a New York story.

In all innocence, the morphing began with the Dutch Christians of New Amsterdam, who remembered St. Nicholas from the old country and called him Sinte Klaas. They had kept alive an old memory — that a kindly old cleric brought little gifts to the poor in the weeks leading up to the Feast of the Nativity. While the gifts were important, they were never meant to overshadow the message of Jesus’s humble birth.

But today’s chubby Santa is not about giving to the poor. He has had his saintly garb stripped away. The filling out of the figure, the loss of the vestments, and his transformation into a beery fellow smoking a pipe combined to form a caricature of Dutch peasant culture. Eventually this Magic Santa (a suitable patron saint if there ever was one for the burgeoning capitalist machinery of the city) was of course popularized by the Manhattanite Clement Clarke Moore published in “A Visit From St. Nicholas,” in The Troy (New York) Sentinel on Dec. 23, 1823.

The newly created deity Santa soon attracted a school of iconographers: notable among them were Thomas Nast, whose 1863 image of a red-suited giant in Harper’s Weekly set the tone, and Haddon Sundblom, who drew up the archetypal image we know today on behalf of the Coca-Cola Company in the 1930s. This Santa was regularly accompanied by the flying reindeer: godlike in his majesty and presiding over the winter darkness like Odin the sky god returned.

The new Santa also acquired a host of Nordic elves to replace the small dark-skinned boy called Black Peter, who in Christian tradition so loved St. Nicholas that he traveled with him everywhere. But, some might say, wasn’t it better to lose this racially stereotyped relic? Actually, no, considering the real St. Nicholas first came into contact with Peter when he raided the slave market in his hometown and railed against the trade. The story tells us that when the slavers refused to take him seriously, he used the church’s funds to redeem Peter and gave the boy a job in the church.

And what of the throwing of the bags of gold down the chimney, where they landed in the stockings and little shoes that had been hung up to dry by the fireplace? Charming though it sounds, it reflected the deplorable custom, still prevalent in late Roman society when the Byzantine church was struggling to establish the supremacy of its values, of selling surplus daughters into bondage. This was a euphemism for sexual slavery — a trade that still blights our world.

As the tale goes, Nicholas had heard that a father in the town planned to sell his three daughters because his debts had been called in by pitiless creditors. As he did for Black Peter, Nicholas raided his church funds to secure the redemption of the girls. He dropped the gold down the chimney to save face for the impoverished father.

This tale was the origin of a whole subsequent series of efforts among the Christians who celebrated Nicholas to make some effort to redeem the lot of the poor — especially children, who always were, and still are, the world’s front-line victims. Such was the origin of Christmas almsgiving: gifts for the poor, not just gifts for our friends.

I like St. Nicholas. You can keep chubby Santa.

John Anthony McGuckin is a professor of religious history at Union Theological Seminary and Columbia.

Friday, December 21, 2007

7 stories you haven't heard about the Olympic games

7 Stories You Haven’t Heard About The Olympics

by Justin Feinstein

olympic_medals-file.jpg

1. Perfect 10s All Around!

Scoring a perfect 10 is the dream of every Olympic gymnast. In 1924, 22 male gymnasts made this dream a reality in the same event. But this wasn’t due to some freak occurrence or heightened level of competition – the event was rope climbing, which has since been discontinued.

2. Basketball Gets Dragged Through the Mud

Basketball’s debut at the 1936 Olympics was nothing short of a disaster. Not only were the finals a low scoring affair (the United States snagged gold from Canada in a yawn-inducing 19-8 game), but the conditions were a mess. Part of the problem was Germany’s venue: the game was played outdoors. On a dirt court. In the pouring rain! Playing on mud made dribbling and bounce-passes impossible. Things weren’t much easier for the fans. A lack of seating forced all (approximately 1,000) spectators to stand and watch in the rain.

3. Paris takes Games to a New Low


As bad as Germany’s basketball planning was, the event barely holds a candle to the 1900 Paris Olympics, which were held in conjunction with the World’s Fair and spread out over five months. Take the marathon, for instance, which was rife with logistical nightmares. The event was run through the city’s active streets, complete with pedestrians and bicyclists. Worse still, several competitors got lost because the course was so poorly marked. Of course, the long race was just one of the many memorable events, including several that would never be seen again. The 1900 Olympics were the only Games to feature such time-wasters as pigeon shooting and swimming through an obstacle course – which included swimming under boats.

4. John Boland wins an Audience Participation Award

The first modern Olympic Games were held in 1896 and yielded perhaps the most unlikely champion in Olympic history. A student at Oxford, John Boland traveled to Greece as a spectator to take in the excitement. But a friend on the Olympic Committee had signed him up for the tennis competition. Despite a lack of proper attire, the plucky Boland decided to go ahead and play (in his dress shoes, no less) and actually won.

5. Golfer Brings Home Gold (without ever knowing it?!)

Margaret Ives Abbott was the first American woman to win a gold medal. Unfortunately, she lived her entire life without ever knowing what she had accomplished. Since the aforementioned 1900 Paris events were spread out informally over several months, de-emphasizing their Olympic status, she simply thought she had won a nine-hole golf tournament in Paris.

6. The Only Case where “Slow and Steady” Actually Worked

The 1904 Olympic Marathon in St. Louis was perhaps the most brutal event in Olympic history. On a sweltering hot summer day, marathon runners took off on an unpaved dusty course, following pace cars and inhaling exhaust. Many runners had to withdraw to receive medical attention, and even the winner, American Thomas Hicks, needed repeated medical care both during and after the race. And by “medical care,” we mean strychnine and brandy. Of course, our favorite tale from the Games is that of Felix Carvajal, a Cuban who took “The Tortoise” approach to running the race. Despite stopping to chat with spectators and breaking to pick and eat fruit from an orchard (which made him sick), Carvajal still managed to finish in fourth place.

7. And just a word on the Games’ (harsh) origins

The ancient Olympic Games served as the basis for our modern Olympics, and fortunately the whole “competing in the nude” thing wasn’t the only custom left to history. Athletes that arrived late to compete were fined, with the only acceptable excuses being shipwreck, weather or pirates. Athletes that were caught cheating were also fined, but were allowed to keep their winnings. But married women caught watching the Games got it the worst: they were executed. Of course, that probably had something to do with the whole competing in the nude thing.

And let’s not forget three of our favorite Olympic athletes. Swede Oscar Swahn won a silver medal in a deer-shooting event at the 1920 Olympics at the age of 72! In 1904, American gymnast George Eyser won six medals (three gold) despite having a wooden left leg, which is even more amazing. But Hungarian pistol shooter Karoly Takacs taught himself how to shoot left-handed after his right (shooting) hand was shattered by a grenade, and then went on to win the rapid-fire shooting event at the 1948 Olympics. He gets our gold.

Sunday, December 09, 2007

Life lessons from Noah's Ark

this was sent to me by email. I don't know its origin:

Everything I need to know about life, I learned from Noah's Ark
  1. Don't miss the boat.
  2. Remember that we are all in the same boat.
  3. Plan ahead. It wasn't raining when Noah built the Ark.
  4. Stay fit . When you're 600 years old, someone may ask you to do something really big.
  5. Don't listen to critics; just get on with the job that needs to be done.
  6. Build your future on high ground.
  7. For safety's sake, travel in pairs.
  8. Speed isn't always an advantage. The snails were on board with the cheetahs
  9. When you're stressed, float a while.
  10. Remember, the Ark was built by amateurs; the Titanic by professionals.
  11. No matter the storm, there's always a rainbow waiting...

Sunday, August 05, 2007

Why we have sex

A Post by Stephen Shankland from CNET blog


No doubt we all oversimplify the world a bit, but University of Texas-Austin researchers have found that there are way more reasons people have sex than one might expect.



Specifically, 237 reasons!



Helpfully, the researchers did boil the list down to four major factors--physical, goal-based, emotional and insecurity-based--and 13 minor ones, the university said Tuesday. Researchers David Buss and Cindy Meston described the motivations in the August issue of the Archives of Sexual Behavior.



"Why people have sex is extremely important, but rarely studied. Surprisingly, many scientists assume the answer is obvious, but people have different reasons for having sex, some of which are rather complex," Buss said in a statement.


The top reason both men and women gave was that "I was attracted to the person," but some motivations were ranked very differently by the two sexes. The study authors found an "astonishing" 123 of the 237 motivations were cited more frequently by one sex or the other. Topping the list was "The person wore revealing clothes," which as social stereotypes might lead one to expect was cited by men more often than women.


More specifically, men had lots of reasons for sex that women didn't rate as highly.


"Men showed significantly greater endorsement of having sex due to physical reasons...and simply because the opportunity presented itself. Men more than women reported having sex as a way to improve their social status. Finally, men exceeded women on endorsing a variety of utilitarian reasons for sex," the study said.


In contrast, "Women exceeded men on only three of the 237 reasons: "I wanted to feel feminine"; "I wanted to express my love for the person"; "I realized that I was in love."



Among the reasons that subjects gave researchers for two studies on the matter:

• I wanted to feel closer to God.
• I wanted to get a promotion.
• I wanted to feel connected.
• I wanted to keep my partner from straying.
• I wanted to have a baby.
• I wanted to give someone else a sexually transmitted disease.
• I wanted the attention.
• I wanted to break up a rival's relationship.
• It seemed like good exercise.
• I wanted to defy my parents.
• I wanted to change the topic of conversation
• The person was famous and I wanted to be able to say I had sex with him/her.
• I wanted to end the relationship.
• I wanted to communicate at a "deeper" level.
• My partner kept insisting.
• I was bored.

Saturday, July 21, 2007

What we should learn in school (by G.Kawasaki)

Compare your answers to what you learned after a few years in the workforce. It seems to me that schools often teach the opposite of what's necessary for the real world. Perhaps in school people have plenty of time and no money, so long papers, emails, and presentations are not a problem. However, people in the real world have plenty of money (or at least more money) and no time. This is a list of what I wished I learned in school before I graduated.

1. How to talk to your boss. In college, you’re supposed to bring problems to your teachers during office hours, and you share the experience of coming up with a solution. In the real world, you’re supposed to bring solutions to your boss in an email, in the hall, or in a five-minute conversation. Typically, your boss either already knows about the problem or doesn’t want to know about it. Your role is to provide answers, not questions. Believe it or not, but in the real world, those who can do, do. Those who can’t do, share with others who can’t do.




2. How to survive a meeting that’s poorly run. Unfortunately, it could be a while before you run meetings. Until then, you’ll be a hapless victim of them, so adopt these three practices to survive. First, assume that most of what you’ll hear is pure, petty, ass-covering bull shiitake, and it’s part of the game. This will prevent you from going crazy. Second, focus on what you want to accomplish in the meeting and ignore everything else. Once you get what you want, take yourself “out of your body,” sit back, and enjoy the show. Third, vow to yourself that someday you’ll start a company, and your meetings won’t work like this.




3. How to run a meeting. Hopefully, you’ll be running meetings soon. Then you need to understand that the primary purpose of a business meeting is to make a decision. It is not to share experiences or feel warm and fuzzy. With that in mind, here are five key points to learn about running a meeting: (1) Start on time even if everyone isn’t there because they will be next time; (2) Invite the fewest people possible to the meeting; (3) Set an agenda for exactly what’s going to happen at the meeting; (4) End on time so that everyone focuses on the pertinent issues; (5) Send an email to all participants that confirms decisions reviews action items. There are more power tips for running good meetings, but if you do these five, you’re ahead of 90% of the world.



4. How to figure out anything on your own. Armed with Google, PDFs of manuals, and self-reliance, force yourself to learn how to figure out just about anything on your own. There are no office hours, no teaching assistants, and study groups in the real world. Actually, the real world is one long, often lonely independent study, so get with it. Here’s a question to test your research prowess. How do you update the calendar in a Motorola Q phone with appointments stored in Now-Up-To-Date?



5. How to negotiate. Don’t believe what you see in reality television shows about negotiation and teamwork. They’re all bull shiitake. The only method that works in the real world involves five steps: (1) Prepare for the negotiation by knowing your facts; (2) Figure out what you really want; (3) Figure out what you don’t care about; (4) Figure out what the other party really wants (per Kai); and (5) Create a win-win outcome to ensure that everyone is happy. You’ll be a negotiating maven if you do this.



6. How to have a conversation. Generally, “Whassup?” doesn’t work in the real world. Generally, “What do you do?” unleashes a response that leads to a good conversation (hence the recommendation below). Generally, if you listen more than you talk, you will (ironically) be considered not only a good conversationalist but also smart. Yes, life is mysterious sometimes.



7. How to explain something in thirty seconds. Unfortunately, many schools don’t have elevators or else students would know how to explain things in a thirty-second elevator pitch. Think mantra (three words), not mission statements (sixty words). Think time, not money, is the most important commodity. Think ahead, not on your feet. At the end of your thirty-second spiel, there should be an obvious answer to the question, “ So what?” If you can’t explain enough in thirty seconds to incite interest, you’re going to have a long, boring career.



8. How to write a one-page report. I remember struggling to meet the minimum page requirements of reports in college. Double spacing and 14 point Selectric typewriter balls saved me. Then I went out into the real world, and encountered bosses who wanted a one-page report. What the heck??? The best reports in the real world are one page or less. (The same thing is true of resumes, but that’s another, more controversial topic for unemployed people who want to list all the .Net classes that they took.)



9. How to write a five-sentence email. Young people have an advantage over older people in this area because older people (like me) were taught to write letters that were printed on paper, signed, stuck in an envelope, and mailed. Writing a short email was a new experience for them. Young people, by contrast are used to IMing and chatting. If anything, they’re too skilled on brevity, but it’s easier to teach someone how to write a long message than a short one. Whether UR young or old, the point is that the optimal length of an email message is five sentences. All you should do is explain who you are, what you want, why you should get it, and when you need it by.



10. How to get along with co-workers. Success in school is mostly determined by individual accomplishments: grades, test scores, projects, whatever. Few activities are group efforts. Then you go out in the real world the higher you rise in an organization, the less important your individual accomplishments are. What becomes more and more important is the ability to work with/through/besides and sometimes around others. The most important lesson to learn: Share the credit with others because a rising tide floats all boats.


What about freeloaders? (Those scum of the earth that don’t do anything for the group.) In school you can let them know how you truly feel. You can’t in the real world because bozos have a way of rising to the top of many organizations, and bozos seek revenge. The best solution is to bite your tongue, tolerate them, and try to never have them on the team again, but there’s little upside in criticizing them.



11. How to use PowerPoint. I’ve seen the PowerPoint slides of professors—it’s no wonder that most people can’t use PowerPoint to sell hybrid cars when gas is $10/gallon. Maybe professors are thinking: “This is a one-hour class, I can cover one slide per minute, so I need sixty slides. Oh, and I’ve written all this text already in my textbook, so I’ll just copy and paste my twelve-point manuscript into the presentation.” Perhaps the tenure system causes this kind of problem. In the real world, this is no tenure so you need to limit yourself to ten slides, twenty minutes, and a thirty-point font—assuming that you want to get what you want.



12. How to leave a voicemail. Very few people of any age leave good voicemails. The purpose of a voicemail is to make progress towards along a continuum whose end is getting what you want. A long voicemail isn’t going to zip you along to the end point of this decision. A good model is to think of a voicemail as an oral version of a compelling five-sentence email; the optimal length of a voicemail is fifteen seconds.

Two power tips: First, slowly say your telephone number once at the beginning of your message and again at the end. You don’t want to make people playback your message to get your phone number, and if either of you are using Cingular, you may not hear all the digits. Second (and this applies to email too), always make progress. Never leave a voicemail or send an email that says, “Call me back, and I’ll tell you what time we can meet.” Just say, “Tuesday, 10:00 am, at your office.”



One last thing: the purpose of going to school is not to prepare for working but to prepare for living. Working is a part of living, and it requires these kinds of skills no matter what career you pursue. However, there is much more to life than work, so study what you love.

Friday, July 20, 2007

Alfred Hitchcock film techniques

How to turn your boring movie into a Hitchcock thriller...

Borgus.com - We've put together a list of the most significant film techniques that were used by Alfred Hitchcock. This information comes out of many books and interviews from the man himself and his been simplified for your consideration.



This page is mostly for filmmakers who are sad and depressed because their movie is so average that nobody will watch it. Stop crying and pay attention. What is written here will save your career (at least until tomorrow morning.) However there is no cure for a bad producer - there may be no help for you!



1: It's the Mind of the Audience
Change everything in your screenplay so that it is done for the audience. Nothing is more important than how each scene is going to affect the viewer. Make sure the content engages them and sucks them in. Use the characters to tease the viewer and pull them along desperately wanting more.


Hitchcock knew why people are drawn to a darkened theater to absorb themselves for hours with images on a screen. They do it to have fun. In the same way people go to a roller coaster to get thrown around at high speeds, theater audiences know they are safe. As a film director you can throw things at them, hurl them off a cliff, or pull them into a dangerous love story, and they know that nothing will happen to them. They're confident that they'll be able to walk out the exit when its done and resume their normal lives. And, the more fun they have, the quicker they will come back begging for more. (Gottlieb)



2: Frame for Emotion

Emotion (in the form of fear, laughter, surprise, sadness, anger, boredom, etc.) is the ultimate goal of each scene. The first consideration of where to place the camera should involve knowing what emotion you want the audience to experience at that particular time. Emotion comes directly from the actor's eyes. You can control the intensity of that emotion by placing the camera close or far away from those eyes. A close-up will fill the screen with emotion, and pulling away to a wide angle shot will dissipate that emotion. A sudden cut from wide to close-up will give the audience a sudden surprise. Sometimes a strange angle above an actor will heighten the dramatic meaning. (Truffaut)


Hitchcock used this theory of proximity to plan out each scene. These varations are a way of controlling when the audience feels intensity, or relaxation. Hitchcock compared this to a composer writing a music score - except instead of playing instruments, he's playing the audience!



3: Camera is Not a Camera

The camera should take on human qualities and roam around playfully looking for something suspicious in a room. This allows the audience to feel like they are involved in uncovering the story. Scenes can often begin by panning a room showing close-ups of objects that explain plot elements.


This goes back to Hitchcock's beginnings in silent film. Without sound, filmmakers had to create ways to tell the story visually in a succession of images and ideas. Hitchcock said this trend changed drastically when sound finally came to film in the 1930's. Suddenly everything went toward dialogue oriented material based on scripts from the stage. Movies began to rely on actors talking, and visual storytelling was almost forgotten. (Truffaut) Always use the camera as more than just a camera.



4: Dialogue Means Nothing

One of your characters must be pre-occupied with something during a dialogue scene. Their eyes can then be distracted while the other person doesn't notice. This is a good way to pull the audience into a character's secretive world.


“People don’t always express their inner thoughts to one another," he said "a conversation may be quite trivial, but often the eyes will reveal what a person thinks or needs.” The focus of the scene should never be on what the characters are actually saying. Have something else going on. Resort to dialogue only when it’s impossible to do otherwise.

"In other words we don’t have pages to fill, or pages from a typewriter to fill, we have a rectangular screen in a movie house,” said Hitchcock. (Schickel)



5: Point of View Editing

Jimmy Stewart looks at dog and then we see him smiling. Jimmy Stewart looks at a woman undressing and then we see him smiling. Those two smiles have completely different meanings, even if they are the exact same smile.


Putting an idea into the mind of the character without explaining it in dialogue is done by using a point-of-view shot sequence. This is subjective cinema. You take the eyes of the characters and add something for them to look at.


- Start with a close-up of the actor
- Cut to a shot of what they're seeing
- Cut back to the actor to see his reaction
- Repeat as desired


You can edit back and forth between the character and the subject as many times as you want to build tension. The audience won't get bored. This is the most powerful form of cinema, even more important than acting. To take it even further have the actor walk toward the subject. Switch to a tracking shot to show his changing perspective as he walks. The audience will believe they are sharing something personal with the character. This is what Hitchcock calls "pure cinema." (Truffaut)


Note:

If another person looks at the character in point-of-view they must look directly at the camera
.

6: Montage Gives You Control

Divide action into a series of close-ups shown in succession. Don't avoid this basic technique. This is not the same as throwing together random shots into a fight sequence to create confusion. Instead, carfully chose a close-up of a hand, an arm, a face, a gun falling to the floor - tie them all together to tell a story. In this way you can portray an event by showing various pieces of it and having control over the timing. You can also hide parts of the event so that the mind of the audience is engaged. (Truffaut)


Hitchcock said this was "transferring the menace from the screen into the mind of the audience." (Schickel) The famous shower scene in Psycho uses montage to hide the violence. You never see the knife hitting Janet Leigh. The impression of violence is done with quick editing, and the killing takes place inside the viewer's head rather than the screen.


Basic rule:

anytime something important happens, show it in a close-up. Make sure the audience can see it.



7: Keep the Story Simple!

If your story is confusing or requires a lot of memorization, you're never going to get suspense out of it. The key to creating that raw Hitchcock energy is by using simplistic, linear stories that the audience can easily follow. Everything in your screenplay must be streamlined to offer maximum dramatic impact. Remove all extraneous material and keep it crisp. Each scene should include only those essential ingredients that make things gripping for the audience. As Hitchcock says, “what is drama, after all, but life with the dull bits cut out…” (Truffaut)


An abstract story will bore the audience. This is why Hitchcock tended to use crime stories with spies, assassinations, and people running from the police. These sort of plots make it easy to play on fear, but are not mandatory for all movies.



8: Characters Must Break Cliché

Make all of your characters the exact opposite of what the audience expects in a movie. Turn dumb blondes into smart blondes, give the Cuban guy a French accent, and the criminals must be rich and successful. They should have unexpected personalities, making decisions on a whim rather than what previous buildup would suggest. These sort of ironic characters make them more realistic to the audience, and much more ripe for something to happen to them.


Hitchcock criminals tend to be wealthy upper class citizens whom you’d never suspect, the policeman and politicians are usually the bumbling fools, the innocent are accused, and the villains get away with everything because nobody suspects them. They surprise you at every step of the plot.



9: Use Humor to Add Tension

Humor is essential to Hitchcock storytelling. Pretend you are playing a practical joke on the main character of your movie. Give him the most ironic situations to deal with. It's the unexpected gag, the coincidence, the worst possible thing that can go wrong - all can be used to build tension.


In Marnie, Tippi Hedren is stealing money from an office safe and is just about to leave when she notices the maid happens to be cleaning in the next room. The maid is completely innocent and unaware. Hedren will get caught if the maid sees her, but the audience is already hoping that she gets away with it. The more happily the maid mops the floor and the closer she gets to seeing Hedren, the higher the tension.


You'll also find that Hitchcock tended to use comical old women to add a flavor of innocent humor in his films. They will usually be opinionated, chatty, and have a highly optimistic view about crime. If someone were committing a crime they might even help with it!



10: Two Things Happening at Once

Build tension into a scene by using contrasting situations. Use two unrelated things happening at once. The audience should be focused on the momentum of one, and be interrupted by the other. Usually the second item should be a humorous distraction that means nothing (this can often be dialogue.) It was put there by you only to get in the way.


When unexpected guests arrive at the hotel room in the Man Who Knew Too Much, Jimmy Stewart and Doris Day are in the midst of a tense phone-call. The arrival of the guests laughing and joking serve a dramatic counterpoint to the real momentum of the scene. The end result is - the audience pays more attention to what's happening.


The essential fact is to get real suspense you must let the audience have information."



11: Suspense is Information

Once you put tension into your scene, you build it toward something, creating suspense. "Information" is essential to Hitchcock suspense; showing the audience what the characters don’t see. If something is about to harm the characters, show it at beginning of the scene and let the scene play out as normal. Constant reminders of this looming danger will build suspense. But remember - the suspense is not in the mind of the character. They must be completely unaware of it. (Schickel, Truffaut)



12: Surprise and Twist

Pull the audience in one direction and then another, trick them, and keep them from knowing what's really going to happen. You must make the audience think they know whats coming next, and then you pull the rug out from under them. It must never turn out the way they expected.



13: Warning: May Cause MacGuffin

The MacGuffin is the side effect of creating pure suspense. When scenes are built around dramatic tension, it doesn’t really matter what the story is about. If you've done your job and followed all the previous steps, the audience is still glued no matter what. You can use random plot devices known as the MacGuffin.


The MacGuffin is nothing. The only reason for the MacGuffin is to serve a pivotal reason for the suspense to occur. (Schickel) It could be something as vague as the "government secrets perhaps" in North by Northwest, or the long detailed weapons plans of Mr. Memory in the 39 Steps. Or, it could be something simple like the dog blocking the stairway in Strangers on a Train. Nobody cares about the dog. It's only there for one reason - suspense. It could have just as easily been a person, an alarm, a talking parrot, or a macguffin!



This list is by no means comprehensive. We invite your comments and additions. Our goal is to be an Internet source easily found to help those in need of quick introduction. You can also find more by reading the books listed below. They include much more detail on these theories and provide a lot more examples. These books are essential reading for any filmmaker or Hitchcock fan.



Written by Jeff Bays, June 2004 Updated: July 2004, January 2006. Jeff Bays is a graduate of the Webster University School of Communications, and is an award-winning radio producer and independent filmmaker.
Contact: info@borgus.com

Book Sources:

Truffaut, Francois. "Hitchcock" Revised Edition. New York. 1985.
Gottlieb, Sydney. "Hitchcock on Hitchcock: Selected Writings and Interviews" Los Angeles. 1997.
Spoto, Donald. "The Art of Alfred Hitchcock: Fifty Years of his Motion Pictures" New York. 1992.

Video Source:
AMERICAN CINEMATHEQUE DOCUMENTARY "ALFRED HITCHOCK: MASTER OF SUSPENSE" City Center of Music and Drama
by Richard Schickel, Fox Lorber Associates, Inc. 1973

Monday, June 25, 2007

Yogi Bera's speech

This is a -most probably- fake transcript of the commencement address delivered by Yogi Berra at Saint Louis University, May 2007.

"Thank you all for being here tonight. I know this is a busy time of year, and if you weren't here, you could probably be somewhere else. I especially want to thank the administration at St. Louis University for making this day necessary. It is an honor to receive this honorary degree.



"It is wonderful to be here in St. Louis and to visit the old neighborhood. I haven't been back since the last time I was here. Everything looks the same, only different. Of course, things in the past are never as they used to be.



"Before I speak, I have something I'd like to say. As you may know, I never went to college, or high school for that matter. To be honest, I'm not much of a public speaker, so I will try to keep this short as long as I can.



"As I look out upon all of the young people here tonight, there are a number of words of wisdom I might depart. But I think the most irrelevant piece of advice I can pass along is this:



"The most important things in life are the things that are least important.


"I could have gone a number of directions in my life. Growing up on the Hill, I could have opened a restaurant or a bakery. But the more time I spent in places like that, the less time I wanted to spend there. I knew that if I wanted to play baseball, I was going to have to play baseball. My childhood friend, Joe Garagiola, also became a big-league ballpayer, as did my son, Dale. I think you'll find the similarities in our careers are quite different.


"You're probably wondering, how does a kid from the Hill become a New York Yankee and get in the Hall of Fame? Well, let me tell you something, if it was easy nobody would do it. Nothing is impossible until you make it possible.


"Of course, times were different. To be honest, I was born at an early age. Things are much more confiscated now. It seems like a nickel ain't worth a dime anymore. But let me tell you, if the world was perfect, it wouldn't be. Even Napoleon had his Watergate.


"You'll make some wrong mistakes along the way, but only the wrong survive. Never put off until tomorrow what you can't do today. Denial isn't just a river in Europe.

"Strive for success and remember you won't get what you want unless you want what you get. Some will choose a different path. If they don't want to come along, you can't stop them. Remember, none are so kind as those who will not see.

"Keep the faith and follow the Commandments: Do not covet thy neighbor's wife, unless she has nothing else to wear. Treat others before you treat yourself. As Franklin Eleanor Roosevelt once said, 'The only thing you have to fear is beer itself.'


"Hold on to your integrity, ladies and gentlemen. It's the one thing you really need to have; if you don't have it, that's why you need it. Work hard to reach your goals, and if you can't reach them, use a ladder. There may come a day when you get hurt and have to miss work. Don't worry, it won't hurt to miss work.


"Over the years, I have realized that baseball is really just a menopause for life. We all have limitations, but we also know limitation is the greatest form of flattery. Beauty is in the eyes of Jim Holder.


"Half the lies you hear won't be true, and half the things you say, you won't ever say.

"As parents you'll want to give your children all the things you didn't have. But don't buy them an encyclopedia, make them walk to school like you did. Teach them to have respect for others, especially the police. They are not here to create disorder, they are here to preserve it.


"Throughout my career, I found good things always came in pairs of three. There will be times when you are an overwhelming underdog. Give 100 percent to everything you do, and when that's not enough, give everything you have left. 'Winning isn't everything, but it's better than rheumatism.' I think Guy Lombardo said that.


"Finally, dear graduates and friends, cherish this moment; it is a memory you will never forget. You have your entire future ahead of you.



"Good luck and Bob's speed."


Saturday, May 19, 2007

20 Most Amazing Coincidences

20 Most Amazing Coincidences

from : ODDWEEK.COM


James Dean's car curse


In September 1955, James Dean was killed in a horrific car accident whilst he was driving his Porsche sports car. After the crash the car was seen as very unlucky.
a) When the car was towed away from accident scene and taken to a garage, the engine slipped out and fell onto a mechanic, shattering both of his legs.

b) Eventually the engine was bought by a doctor, who put it into his racing car and was killed shortly afterwards, during a race. Another racing driver, in the same race, was killed in his car, which had James Dean's driveshaft fitted to it.

c) When James Dean's Porsche was later repaired, the garage it was in was destroyed by fire.

d) Later the car was displayed in Sacramento, but it fell off it's mount and broke a teenager's hip.

e) In Oregon, the trailer that the car was mounted on slipped from it's towbar and smashed through the front of a shop.

f) Finally, in 1959, the car mysteriously broke into 11 pieces while it was sitting on steel supports.



A falling baby, saved twice by the same man

In Detroit sometime in the 1930s, a young (if incredibly careless) mother must have been eternally grateful to a man named Joseph Figlock. As Figlock was walking down the street, the mother's baby fell from a high window onto Figlock. The baby's fall was broken and both man and baby were unharmed. A stroke of luck on its own, but a year later, the very same baby fell from the very same window onto poor, unsuspecting Joseph Figlock as he was again passing beneath. And again, they both survived the event. (Source: Mysteries of the Unexplained)



A bullet that reached its destiny years later

Henry Ziegland thought he had dodged fate. In 1883, he broke off a relationship with his girlfriend who, out of distress, committed suicide. The girl's brother was so enraged that he hunted down Ziegland and shot him. The brother, believing he had killed Ziegland, then turned his gun on himself and took his own life. But Ziegland had not been killed. The bullet, in fact, had only grazed his face and then lodged in a tree. Ziegland surely thought himself a lucky man. Some years later, however, Ziegland decided to cut down the large tree, which still had the bullet in it. The task seemed so formidable that he decided to blow it up with a few sticks of dynamite. The explosion propelled the bullet into Ziegland's head, killing him. (Source: Ripley's Believe It or Not!)



Twin Boys, twin lives

The stories of identical twins' nearly identical lives are often astonishing, but perhaps none more so than those of identical twins born in Ohio. The twin boys were separated at birth, being adopted by different families. Unknown to each other, both families named the boys James. And here the coincidences just begin. Both James grew up not even knowing of the other, yet both sought law-enforcement training, both had abilities in mechanical drawing and carpentry, and each had married women named Linda. They both had sons whom one named James Alan and the other named James Allan. The twin brothers also divorced their wives and married other women - both named Betty. And they both owned dogs which they named Toy. Forty years after their childhood separation, the two men were reunited to share their amazingly similar lives. (Source: Reader's Digest, January 1980)



Just like Edgar Allan Poe's book

In the 19th century, the famous horror writer, Egdar Allan Poe, wrote a book called 'The narrative of Arthur Gordon Pym'. It was about four survivors of a shipwreck who were in an open boat for many days before they decided to kill and eat the cabin boy whose name was Richard Parker. Some years later, in 1884, the yawl, Mignonette, foundered, with only four survivors, who were in an open boat for many days. Eventully the three senior members of the crew, killed and ate the cabin boy. The name of the cabin boy was Richard Parker.



Twin brothers, killed on the same road, two hours apart

On 2002, Seventy-year-old twin brothers have died within hours of one another after separate accidents on the same road in northern Finland. The first of the twins died when he was hit by a lorry while riding his bike in Raahe, 600 kilometres north of the capital, Helsinki. He died just 1.5km from the spot where his brother was killed. "This is simply a historic coincidence. Although the road is a busy one, accidents don't occur every day," police officer Marja-Leena Huhtala told Reuters. "It made my hair stand on end when I heard the two were brothers, and identical twins at that. It came to mind that perhaps someone from upstairs had a say in this," she said.



Three suicide attempts, all stopped by the same Monk

Joseph Aigner was a fairlly well-known portrait painter in 19th century Austria who, apparently, was quite an unhappy fellow: he several times attempted suicide. His first attempt was at the young age of 18 when he tried to hang himself, but was interrupted by the mysterious appearance of a Capuchin monk. At age 22 he again tried to hang himself, but was again saved from the act by the very same monk. Eight years later, his death was ordained by others who sentenced him to the gallows for his political activities. Once again, his life was saved by the intervention of the same monk. At age 68, Aiger finally succeeded in suicide, a pistol doing the trick. His funeral ceremony was conducted by the same Capuchin monk - a man whose name Aiger never even knew. (Source: Ripley's Giant Book of Believe It or Not!)



Poker winnings, to the unsuspected son

In 1858, Robert Fallon was shot dead, an act of vengeance by those with whom he was playing poker. Fallon, they claimed, had won the $600 pot through cheating. With Fallon's seat empty and none of the other players willing to take the now-unlucky $600, they found a new player to take Fallon's place and staked him with the dead man's $600. By the time the police had arrived to investigate the killing, the new player had turned the $600 into $2,200 in winnings. The police demanded the original $600 to pass on to Fallon's next of kin - only to discover that the new player turned out to be Fallon's son, who had not seen his father in seven years! (Source: Ripley's Giant Book of Believe It or Not!)



A novel that unsuspectedly described the spy next door

When Norman Mailer began his novel Barbary Shore, there was no plan to have a Russian spy as a character. As he worked on it, he introduced a Russian spy in the U.S. as a minor character. As the work progressed, the spy became the dominant character in the novel. After the novel was completed, the U.S. Immigration Service arrested a man who lived just one floor above Mailer in the same apartment building. He was Colonel Rudolf Abel, alleged to be the top Russian spy working in the U.S. at that time. (Source: Science Digest)



Mark Twain and Halley's Comet

Mark Twain was born on the day of the appearance of Halley's Comet in 1835, and died on the day of its next appearance in 1910. He himself predicted this in 1909, when he said: "I came in with Halley's Comet in 1835. It is coming again next year, and I expect to go out with it."



Three strangers on a Train, with complementary last names

In the 1920s, three Englishman were traveling separately by train through Peru. At the time of their introduction, they were the only three men in the railroad car. Their introductions were more surprising than they could have imagined. One man's last name was Bingham, and the second man's last name was Powell. The third man announced that his last name was Bingham-Powell. None were related in any way. (Source: Mysteries of the Unexplained)



Two brothers killed by the same taxi driver, one year apart

In 1975, while riding a moped in Bermuda, a man was accidentally struck and killed by a taxi. One year later, this man's bother was killed in the very same way. In fact, he was riding the very same moped. And to stretch the odds even further, he was struck by the very same taxi driven by the same driver - and even carrying the very same passenger! (Source: Phenomena: A Book of Wonders, John Michell and Robert J. M. Rickard)



Swapped Hotel Findings

In 1953, television reporter Irv Kupcinet was in London to cover the coronation of Ellizabeth II. In one of the drawers in his room at the Savoy he found found some items that, by their identification, belonged to a man named Harry Hannin. Coincidentally, Harry Hannin - a basketball star with the famed Harlem Globetrotters - was a good friend of Kupcinet's. But the story has yet another twist. Just two days later, and before he could tell Hannin of his lucky discovery, Kupcinet received a letter from Hannin. In the letter, Hannin told Kucinet that while staying at the Hotel Meurice in Paris, he found in a drawer a tie - with Kupcinet's name on it! (Source: Mysteries of the Unexplained)



Two Mr. Brysons, same hotel room

While on a business trip sometime in the late 1950s, Mr. George D. Bryson stopped and registered at the Brown Hotel in Louisville, Kentucky. After signing the register and being given his key to room 307, he stopped by the mail desk to see if any letters had arrived for him. Indeed there was a letter, the mail girl told him, and handed him an envelope addressed to Mr. George D. Bryson, room 307. This wouldn't be so odd, except the letter was not for him, but for room 307's just-previous occupant - another man named George D. Bryson. (Source: Incredible Coincidence, Alan Vaughan)



Twins brothers, same heart attack

John and Arthur Mowforth were twins who lived about 80 miles apart in Great Britain. On the evening of May 22, 1975, both fell severely ill from chest pains. The families of both men were completely unaware of the other's illness. Both men were rushed to separate hospitals at approximately the same time. And both died of heart attacks shortly after arrival. (Source: Chronogenetics: The Inheretance of Biological Time, Luigi Gedda and Gianni Brenci)



A novel that predicted the Titanic's destiny, and another ship that almost followed

Morgan Robertson, in 1898, wrote "Futility". It described the maiden voyage of a transatlantic luxury liner named the Titan. Although it was touted as being unsinkable, it strikes an iceberg and sinks with much loss of life. In 1912 the Titanic, a transatlantic luxury liner widely touted as unsinkable strikes an iceberg and sinks with great loss of life on her maiden voyage. In the Book, the Month of the Wreck was April, same as in the real event. There were 3,000 passengers on the book; in reality, 2,207. In the Book, there were 24 Lifeboats; in reality, 20.
Months after the Titanic sank, a tramp steamer was traveling through the foggy Atlantic with only a young boy on watch. It came into his head that it had been thereabouts that the Titanic had sunk, and he was suddenly terrified by the thought of the name of his ship - the Titanian. Panic-stricken, he sounded the warning. The ship stopped, just in time: a huge iceberg loomed out of the fog directly in their path. The Titanian was saved.



A writer, found the book of her childhood

While American novelist Anne Parrish was browsing bookstores in Paris in the 1920s, she came upon a book that was one of her childhood favorites - Jack Frost and Other Stories. She picked up the old book and showed it to her husband, telling him of the book she fondly remembered as a child. Her husband took the book, opened it, and on the flyleaf found the inscription: "Anne Parrish, 209 N. Weber Street, Colorado Springs." It was Anne's very own book. (Source: While Rome Burns, Alexander Wollcott)



A writer's plum pudding

In 1805, French writer Émile Deschamps was treated to some plum pudding by the stranger Monsieur de Fortgibu. Ten years later, he encountered plum pudding on the menu of a Paris restaurant, and wanted to order some, but the waiter told him the last dish had already been served to another customer, who turned out to be de Fortgibu. Many years later in 1832 Émile Deschamps was at a diner, and was once again offered plum pudding. He recalled the earlier incident and told his friends that only de Fortgibu was missing to make the setting complete — and in the same instant the now senile de Fortgibu entered the room.



King Umberto I' double

In Monza, Italy, King Umberto I, went to a small restaurant for dinner, accompanied by his aide-de-camp, General Emilio Ponzia- Vaglia. When the owner took King Umberto's order, the King noticed that he and the restaurant owner were virtual doubles, in face and in build. Both men began discussing the striking resemblances between each other and found many more similarities.
a) Both men were born on the same day, of the same year, (March 14th, 1844).
b) Both men had been born in the same town.
c) Both men married a woman with same name, Margherita.
d) The restauranteur opened his restaurant on the same day that King Umberto was crowned King of Italy.
e) On the 29th July 1900, King Umberto was informed that the restauranteur had died that day in a mysterious shooting accident, and as he expressed his regret, he was then assassinated by an anarchist in the crowd.



The 21st, a bad day for King Louis XVI

When King Louis XVI of France was a child, he was warned by an astrologer to always be on his guard on the 21st day of each month. Louis ws so terrified by this that he never did business on this day. Unfortunately Louis was not always on his guard. On June 21st 1791, following the French revolution, Louis and his queen were arrested in Varennes, whist trying to escape France. On September 21st 1791, France abolished the institution of Royalty and proclaimed itself a republic. Finally on January 21st 1793, King Louis XVI was executed by guillotine.

Friday, May 18, 2007

The myth about (NASA's) space pen and the Russian pencil

I am sick of the anecdote of NASA spending millions of dollars developing a high-tech writing pen that could function in microgravity, while the crafty and resource-strapped Soviets simply gave their cosmonauts a pencil. Great parable, isn't it? It really underscores the wisdom of not overthinking the problem (and certainly not wasting technical resources on the "slick" solution).

IT folks in particular have heard this tale more than their fair share since it seems to apply directly to engineering problems -- not to mention its appeal to budget-obsessed managers. It's too bad then that it's a load of science fiction.

The first writing implements NASA sent into space were, in fact, pencils. The same was true of all early Soviet spaceflights. This was also incredibly stupid.

While pencils might have the advantage of being microgravity-effective, they also have the disadvantage of their construction. Two relatively flammable materials -- wood and graphite -- were only more dangerous in the 100-percent oxygen environment present in all pre-Apollo manned NASA spacecraft. Add in the fact that broken graphite tips become airborne irritants in zero-G, and pencils are actually a pretty dumb thing to send into space no matter how cost-effective they might seem.

So, NASA spent some money trying to develop a better pencil, creating some highly expensive oversized mechanical pencils for use by astronauts. The final product was an average $1.75 mechanical pencil mechanism placed in a special housing large enough for astronauts to use while wearing thick spacesuit gloves, strong enough that they wouldn't shatter and create microgravity debris, and light enough not to significantly impact spacecraft weight constraints.

The final cost? Those space-worthy pencils cost $128.84 in 1965 dollars -- a fact that came to the attention of Congress and the media, both of which found the figure excessive.

In reaction to the pencil controversy, NASA sought bids for cheaper writing implements for space missions. It found a suitable ink pen independently developed by a private manufacturer -- the Fisher Pen Company -- with no input or financial support from the space agency.

These now-famous "space pens" were actually cheaper than NASA's homegrown pencils by a significant margin, and the original lot of NASA-procured space pens cost the agency far less than the purported millions it mythically spent to develop the devices.


Friday, March 02, 2007

Fourteen Things That It Took Me Over 50 Years To Learn

Fourteen Things That It Took Me Over 50 Years To Learn—by Dave Barry

  1. Never, under any circumstances, take a sleeping pill and a laxative on the same night.

  2. If you had to identify, in one word, the reason why the human race has not achieved, and never will achieve, its full potential, that word would be "meetings."

  3. There is a very fine line between "hobby" and "mental illness."

  4. People who want to share their religious views with you almost never want you to share yours with them.

  5. You should not confuse your career with your life.

  6. Nobody cares if you can't dance well. Just get up and dance.

  7. Never lick a steak knife.

  8. The most destructive force in the universe is gossip.

  9. You will never find anybody who can give you a clear and compelling reason why we observe daylight savings time.

  10. You should never say anything to a woman that even remotely suggests that you think she's pregnant unless you can see an actual baby emerging from her at that moment.

  11. There comes a time when you should stop expecting other people to make a big deal about your birthday. That time is age eleven.

  12. The one thing that unites all human beings, regardless of age, gender, religion, economic status or ethnic background, is that, deep down inside, we ALL believe that we are above-average drivers.

  13. A person who is nice to you, but rude to the waiter, is not a nice person. (This is very important. Pay attention. It never fails.)

  14. Your friends love you anyway.

Wednesday, February 21, 2007

Where will be my home when the poles melt and the sea rises?

Looking for Google Earth extras, I came across this site

http://flood.firetree.net/

which shows the areas that will be covered under water, when the sea level rises (not any time soon, I hope).

You can play with various water heights.

Awesome!

Essential free software

All are free. And essential:



1 AVG Anti-Virus

Get the free version here
Why pay for anti-virus software when you can have this much-loved bug buster for free.

[read Web User's review]



2 Zone Alarm

Get the free version here
Stop cyber-criminals attacking your computer while you're online with this essential free firewall.

[read Web User's review]



3 Google Toolbar 2.0

Get the free version here
This latest version of the Google Toolbar offers easy searching, blocks pop-ups and makes it easy to fill in online forms.

[read Web User's review]



4 Trillian

Get the free version here
Access several instant messaging services with one handy tool. Essential for chat fans.

[read Web User's review]



5 HijackThis

Get the free version here
The most thorough way to get spyware off your PC - visit our HijackThis forum for details about how to use the tool and getting your log analysed.



6 Adobe Acrobat Reader

Get the free version here
The best software for reading PDF documents - especially useful for reading hardware and software manuals.

[read Web User's review]



7 Core FTP Lite
Get the free version here
You'll find this FTP program very welcome if you need to transfer files to your website with ease.



8 IrfanView

Get the free version here
A great image viewer that's quick to load and offers simple but effective image-editing functions.

[read Web User's review]



9 Spybot Search & Destroy
Get the free version here

Not quite as big as Ad-aware, but this spyware stopper recently won a Web User Gold Award.

[read Web User's review]



10 Pop-up Stopper
Get the free version here

If there was ever a program that deserves the over-used phrase, "does what it says on the tin".

Friday, February 16, 2007

Seven tech predictions for '07

I copied this from a CNET article by David Carnoy

Seven tech predictions for '07


I'm not sure yet whether I'll make this an annual ritual, but after taking a stab last year at doing a little crystal-ball gazing and coming up with six tech predictions for 2006, I figured I'd give it another shot for '07. Granted, my prophecies for '06 weren't terribly bold or outlandish, but the idea--my idea, anyway--is to go out on a limb a little bit while remaining somewhat grounded in reality, so I might actually impart some semi-useful information while standing a chance at being correct come year's end. (For those keeping score, I basically did well with five of six of my picks, and fell down only on my video iPod prediction).

Without further ado, here's what I have for this year, and as usual, if my forecasts seem trivial or moronic, feel free to add your own by clicking the TalkBack button.

1. Sixty-inch plasma for $2,000 by year's end
At CES, Vizio announced it would begin selling a $3,000 60-inch plasma by the end of February. We expect to see that price erode throughout the year and quite possibly close in on two grand by the holiday season. We can't say if the set will by any good, but it will be big.

2. Digital photo frames take off


Digital photo frames were hot for the holidays and they only stand to get hotter as higher quality, more affordable frames with expanded features hit the market in early '07. However, only when David Pogue or Walt Mossberg finally does a column reviewing several frames will the category officially be declared "hot."

3. Better games breathe new life into Sony PS3 by midyear
It's going to take several months, but expect to see plenty of articles late in the year about how things don't look so bleak for Sony and the PS3. Yes, Sony still has problems, but a handful of impressive games--such as Lair and Metal Gear Solid 4--and updated features (via downloadable system updates) will help fuel a PS3 revival.

4. HD DVD surrenders by September


OK, this probably won't happen, but it should. With sales for both HD DVD and Blu-ray stand-alone players remaining tepid throughout the year, the biggest number of players will actually come in the form of game consoles--or in the case of the Xbox 360 and its HD DVD external drive, game console accessories. According to the numbers we're seeing, there are 175,000 HD DVD players out there (with 92,000 of those being Xbox 360 HD DVD players) and around a million Blu-ray players in homes, most of them PS3s. As Sony ramps up PS3 production, we expect that 5:1 ratio to hold, and perhaps even increase. Add to that the fact that sometime very soon the number of available Blu-ray titles will top the number of HD DVD titles, with the gap continuing to widen as the year progresses, and things don't look all that good for Camp HD DVD. Personally, I don't care who wins or loses, and I'm not rooting for either format. But unfortunately, if someone doesn't bow out gracefully, both formats risk going nowhere, especially with various forms of downloadable HD content in the works. (Read Senior Editor John Falcone's "Dispatches from the format war: H-DVD vs. Blu-ray" for a complete rundown.)

What are your product predictions for 2007?
5. Few Windows XP users will upgrade to Vista
I'm not really going out a limb here, but I'm betting that most folks upgrading to Microsoft's new OS, Vista, will make the leap only when they buy a new desktop or laptop--they'll stick with the status quo for their existing machines. Also, you can expect some confusion over the various flavors of Vista. Microsoft should have stuck with at most three, not five. (Will Apple put out five flavors of Leopard? I think not.)

6. No SED televisions before 2008
SED (surface-conduction electron-emitter display) is supposed to be the next big thing in flat-panel TVs. Prototypes have been kicking around for a couple of years, and from the demonstrations we've seen, the picture looks good--damn good. But neither Canon nor Toshiba could build them cheap enough to compete with plasmas or LCDs. After a no-show at CES 2007, Canon's bought Toshiba out and will go it alone. But don't expect to see a commercially available SED model in 2007. Maybe 2008.

7. iPhone gets rave reviews despite serious flaws


CNET review*
Rating: 8.3 (Editors' Choice)
Design: 9
Features: 9
Performance: 7

Good: The iPhone is a groundbreaking smart phone that features an impressively user-friendly touch-screen interface, sexy design, terrific multimedia functionality, plus a nifty e-mail client and Web browser, PDA functionality, a built-in camera, and a nice collection of useful applications, including one-touch weather reports and Google/Yahoo Maps. The device doubles as a video iPod, and also automatically switches from landscape to portrait mode with a flick of your wrist.

Bad: Expensive; screen is fingerprint and facial-oil magnet; no expansion slot for additional memory; can't add additional applications; non-user-replaceable battery doesn't deliver as much juice as promised; no support for true 3G networks; definitely requires a protective case; need PC or Mac to download media--no direct access to iTunes Store.

Bottom line: Like the original iPod, the first-gen iPhone is a revolutionary product with an unbeatable cool factor. But before you shell out 500 or 600 bucks, just remember, the next iPhone will have double the memory and double the battery life for the same price next year.